Showing posts with label ENTERTAINMENT. Show all posts
Showing posts with label ENTERTAINMENT. Show all posts

Saturday, 2 April 2011

COLD FISH: Directed by Sion Sono (Love Exposure/ Suicide Club)


The latest feature from cult Japanese writer-director Sion Sono (Love Exposure), Cold Fish is “yet another step in Sion Sono's rise as one of Japan's most consistently bold and intriguing film makers… [and] stands as one of the most powerful, punishing works to come out of Japan this year” (Twitch).

Inspired by and loosely based on the real-life exploits of serial killer couple Gen Sekine and his ex-wife Hiroko Kazama (the perpetrators of Tokyo’s notorious 1993 “Saitama serial murders of dog lovers” killings), the film is a psychotic cavalcade of sex, violence and comedy that has been hailed by Variety for its “gleeful humour and dare-you-to-watch aesthetic”.

Shamoto runs a small tropical fish shop. His second wife, Taeko, does not get along with his daughter, Mitsuko, and this worries him. One day Mitsuko is caught shoplifting at a grocery store. There they meet a friendly man named Murata, who helps to settle things between Mitsuko and the store manager. Since Murata also runs a tropical fishshop, Shamoto establishes a bond with him and they become friends; Mitsuko even begins working for Murata and living at his house. What Shamoto doesn’t know, however, is that Murata hides many dark secrets behind his friendly face. He sells cheap fish to his customers for high prices with his artful lies. If anyone detects his fraud or refuses to go along with his moneymaking schemes, they’re murdered and their bodies disposed of by Murata and his wife in grisly ways.........

Thursday, 31 March 2011

Scattering Rhythms: Korean traditional music and Jazz Concert


‘Scattering Rhythms: Korean traditional music and Jazz’ is the creative collaboration of Korean traditional music by three prominent musicians from three countries: a taegŭm master Hyelim Kim (Korea), the eminent jazz drummer Simon Barker (Australia), and a janggu player & professor at SOAS, Keith Howard (UK). The concert features traditional repertories and improvisatory pieces inspired by Korean traditional music and jazz. It explores the musical elements of two cultures to illuminate novel possibilities in musical treasures.

Date: 11 Apr 2011 19:00
Venue: Korean Cultural Centre UK, Multi-purpose hall
Fee: Free Admission
RSVP: info@kccuk.org.uk or 020-7004-2600

Friday, 25 February 2011

Cutting the Cord

Date: 21-26 February 2011 (Mon - Wed: 8pm, Thurs - Sat: 6.30pm and 8.30pm)
Vanue: Tristan Bates Theatre, 1A Tower Street, Covent Garden, WC2H 9NP
Box office: 020 7240 6283
Email:
info@flyingeye.org.uk
Web:
http://www.tristanbatestheatre.co.uk/ http://www.flyingeye.org.uk/
Admission: £10/£8(Concession)
Organiser: Flying Eye


Inspired by true stories, Cutting the Cord is an intimate and heart-warming physical theatre piece.

This is the kind of theatre that engages and touches its audience long after they leave the venue. - The Brighton Magazine

Where do you come from?
Where are you going?
When you are miles away from the place of your birth, can you ever feel truly at home?

This one- woman show tells the story of Sachi, a young Japanese woman, and her comedic, yet sincere struggle to find a ‘home’. Set in London and Tokyo, Sachi playfully relates the story of what it means to leave one place and put down roots elsewhere. Accompanied by live music and presented with magical theatricality, Cutting the Cord is a touching and poignant tale that invites people of all backgrounds to celebrate their own journey in finding home.

Cutting the Cord is supported by Arts Council England, Great Britain Sasakawa Foundation and the Japan Foundation. Co-produced by The Basement and Brighton Festival.


Friday, 18 February 2011

Oxford University Korea Society “Soul of Seoul” at Oxford Union

Date: 23/02/2011, 19.00 - 23.00pm
Venue: Oxford Union Chamber, Oxford

Every year, the historical Oxford Union Chamber, having been graced with the presence of the most eminent scholars, politicians, and celebrities over the years, hosts an unforgettable Korean night, SOUL of SEOUL.
On 23rd February 2011, the Chamber will again be filled with the cultural landmarks of Korea, from the immensely popular bibmbab and traditional alcohol to taekwondo and hanbok showcases.

SOUL of SEOUL is “THE” Korean night in Oxford, aimed at promoting awareness of Korean culture amongst the future leaders at Oxford. It is truly an extravaganza, featuring the very best of Korea: Bibimbab, Korean snacks, Taekwondo, Korean alcohol, Korean B-boy, K-pop, Korean Calligraphy, Traditional Costumes, Traditional Music... and so much more.
The event is indeed a celebration befitting of our nation’s beautiful culture and has been serving as a milestone in entrenching the presence of Korean community.
Last year’s festival was a great success, with the tickets selling out well before the event. This year, the Oxford University Korea Society aims to make it even better.



Friday, 4 February 2011

Come and Play Korean Samulnori (Drums & Percussion) #3

Date: Saturday, February 12th, 3.00pm-4.30pm (for everyone interested) / 4.30pm-6.00pm (for those have some experience)
Venue: Goldmine Studios, 269 Poyser Street, London E2 9RF
Fee: £9 (all instrumens provided)
Contact: Jeung Hyun Choi (07981 298 638 / jeunghyunk40@gmail.com)

Samul nori is a genre of traditional percussion music originating in Korea. The word samul means "four objects" and nori means "play"; samul nori is performed with four traditional Korean musical instruments:

* Kkwaenggwari (a small gong)
* Jing (a larger gong)
* Janggu (an hourglass-shaped drum)
* Buk (a barrel drum similar to the bass drum)

The traditional Korean instruments are called pungmul.

Samul nori has its roots in nong-ak (literally "farmers' music"), a Korean folk genre comprising music, acrobatics, folk dance, and rituals, which was traditionally performed in rice farming villages in order to ensure and to celebrate good harvests. Specifically, samul nori music derives from utdari pungmul (the gut, or shaman ceremony rhythm of the Gyeonggi-do and Chungcheong provinces of South Korea), as well as the genres of Yeongnam folk music and Honam udo gut, combined with more contemporary improvisations, elaborations, and compositions. Such nong-ak is steeped in traditional animism and shamanism, but also shows influences from Korean Buddhism. While nong-ak often features the use of wind instruments, samul nori only features the aforementioned four percussion instruments.

Each of the four instruments represents a different weather condition: the janggu represents rain, the kkwaenggwari thunder, the jing the sounds of the wind, and the buk clouds. The idea of yin and yang is also reflected in these instruments: the buk and janggu (leather) represent the sounds of the earth, while the jing and kkwaenggwari (metal) represent sounds of the heavens. Although generally performed indoors, as a staged genre, samul nori depicts the traditional Korean culture, an agricultural society rooted in the natural environment.
Samul nori is characterized by strong, accented rhythms, vibrant body movements, and an energetic spirit.

Samul nori has gained international popularity, with many samul nori bands and camps worldwide. Since the 1980s in South Korea, there has been a marked increase in the amount of fusion music, combining samul nori and Western instruments.

Jeung-Hyun Choi is a Korean traditional percussion player and currently working as managing director of DULSORI, the Korean traditional music group. She has taught Korean traditional percussions and songs for over 20 years. Shae has led many international workshops in Korea and abroad, including SOAS World Music Summer School 2008.

Monday, 24 January 2011

BUNKASAI in London

Date: Saturday 5th March 2011
Venue: Conway Hall, 25 Red Lion Square, London, WC1R 4RL
The ‘Bunkasai’ is designed to introduce various different aspects of Japanese culture to the UK, appealing to fans of both traditional and modern, as well as to the casual and family visitors, by introducing the Japanese language, culture, food and drink.

This is the first time ‘Bunkasai’ has ever been held although it’s sister event, the
‘Japanese Art Festival’ http://www.japaneseartfestival.com/ has been held for the past 5 times.
In 2010 approximately 2000 people attended this event, check out http://vimeo.com/17101179 and/or http://vimeo.com/1710010
A previous event was held in February 2010, check out
http://vimeo.com/12392343 and/or http://vimeo.com/12596229

‘On Stage’
• Shamisen
• Shakuhachi
• Martial Arts
• Language panel with Japanese language Teacher
• How to teach Japanese language using Anime song
• Panel by Japanese language students
• How did Anime & Manga give the influence to Japanese study
• Para Para dance,
• Lecture ~ History of Japan, Bushi-do, Shinto, Life style, Kimono & Tea Ceremony
• Kimono fashion show
• Cosplay competition,
• ‘University Challenge’ competition (Anime Club and Japan Society in University)
• Origami table
• Karaoke at night

‘Workshops’
• Calligraphy
• Tea Ceremony
• Drawing Manga
• Cooking
• Food tasting of Japanese food (normal,vegetarian courses) & Japanese sweets
• Sake tasting study course
• Okonomi yaki & Dora yaki cooking trial
• Wadaiko (Japanese drum)


Saturday, 15 January 2011

An extremely talented violinist, EungSoo Kim & Pianist, Moon Young CHAE

'This is the most beautiful violin sound I have ever heard!!'
(Hungarian Maestro Violinist and Conductor Tibor Varga)

'Perfect!'
(Strad, Korea)

'An extremely talented violinist with full of temperament, awareness of musical perception'…(Julian Rachlin, Concert Violinist)

EungSoo remarks himself as a musical virtuoso and his wide concert engagements demonstrate this: concerts with Sinfonie Orchester Berlin, Biel Symphony Orchestra, Göttingen Symphonie Orchester, Daegu Symphony Orchestra, Kyungbuk State Symphony Orchestra, Chungnam State Symphony Orchestra, Prime Philharmonic Orchestra and others. Especially, his recital in Poland was broadcasted by Radio Gdansk with very positive critics. Also, his debut in the Berliner Philharmonie hall in 2007 was highly successful and he was reinvited to perform Mendelssohn Concerto, Dvorak and Tchaikovsky Concertos. Moreover, his debut with Khachaturian Concerto in Seoul received overwhelming attention and a fantastic review. The concert was broadcasted on TBS Seoul.

The following concerts are solo performances with Orquestra de Cordoba, Prague Philharmonic Orchestra, Mantova Chamber Orchestra, Oviedo Filharmonica, Wonju Philharmonic Orchestra and Changwon Philharmonic Orchestra etc.

EungSoo is a top prize winner of the Zinetti International Chamber Music Competition, Maria Canals International Music Competition, Tibor Varga International Violin Competition, ‘Rodolfo Lipizer’ International Violin Competition and Spohr International Violin competition. EungSoo also played for Leonidas Kavakos, and he praised Eung Soo for his wide and diverse technical and musical capacity.

EungSoo was born in Korea and started the violin at seven. Only after a year, he won the first prize in the Ulsan local competition. After graduating Seoul Arts High School (Prof. Tae-Sik Pyung), he moved to Vienna and studied with the renowned teachers as professors Igor Ozim, Kriszstof Wegrzyn and Boris Kuschnir.

EungSoo has a CD from Azzurramusic supported by the City of Verona and the the next CD from Telos Music Records is already receiving high attention for its extraordinary quality and unique personality.

Moon Young CHAE, a Vienna-based pianist, performed the Grieg Piano Concerto when she was thirteen with Korean Symphony Orchestra where she was commented as a ‘sentational young pianist’. She extended her studies at the Purcell School in London and she studied with the world-leading teachers like Patsy Toh, Yonty Solomon and Irina Zaritskaya. She received the Master of Music Degree from the Royal College of Music where she also performed Scriabin Concerto with the RCM Sinfonietta.

Whilst having studied in London, Moon Young has received numerous scholarships such as Myra Hess Scholarship, Martin Scholarship and she won the Yamaha Scholarship Europe in 2002. Her achievements from competitions include the First prize from the Zinetti International Chamber Music Compeition and Maria Canals International Music Competition (2004), the Second prize in the Concorso Internazionale Ciltta di Pinerolo (2001), the Second prize in the Intercollegiate Beethoven Competition (2001) and the special prize in the Concorso Internazionale di esecuzione musicale Provincia di Caltanissetta.

Moon Young is also a devoted chamber musician. She has performed enourmous chamber music concerts and she has worked with professors like Boris Kuschnir, Pavel Vernikov and Igor Ozim and her partners include Julian Rachlin, Lidia Baich and Alisa Weilerstein and her husband Eung Soo KIM. She also has an album from the Decca with a Scriabin Prelude and the first album with Eung Soo Kim is released by Azzurramusic.

Moon Young has performed in prestigious venues such as Konzerthaus and Musikverein in Vienna, The Purcell Room, South Bank in London. Moon Young performs actively with Eung Soo KIM and as a soloist in Vienna, London, Lindau, Koblenz, Seoul, Daegu and venues including St. Matin-in-the-Field, London, Regent’s Hall (UK) Little Angels’ Concert Hall, Seoul (Korea), Stadttheater, Lindau (Germany), Gesellschaft für Musiktheater Wien, Beethoven Gedenkstätte, Schubertgeburtshaus (Vienna).




Saturday, 8 January 2011

JAPAN UNDERGROUND Returns for February Tour

Venue: 2nd Feb: LONDON, The King Pin Suite / 3rd Feb: BIRMINGHAM, The Victoria / 4th Feb: BRIGHTON, The Hobgoblin / 9th Feb: NOTTINGHAM, The Central
Tickets: £6

The UK’s exclusive Japanese music club night returns, bringing the finest and most exciting rock, pop and dance tunes of Japan to the cities of London, Birmingham, Brighton and Nottingham this February. Expect authentic karaoke, a Japanese style purikura photobooth, Harajuku fashion and the first overseas performance from Tokyo’s urban techno-punk act Hibari!

After its huge success in London, which saw it making the top 101 things to do in the capital before you die, word soon spread across the British Isles and the event’s Facebook page was inundated with requests to bring the party to other cities.

Previously the tunes were supplied by Japanophile, TV star and radio DJ Iain Lee. This time Japanese music journalist Tom Smith will be providing the tracks, incorporating the likes of Mad Capsule Markets, Dir en Grey and Polysics, as well as gaming remixes and pop tracks from Hikaru Utada, T.M. Revolution, Arashi and many more.

Live music will be provided by the electric Hibari, a Japanese double act that captures the energy of Tokyo's famous street performers and delivers it with the punk-rock attitude rarely found in a country that lives by the proverb ‘the nail that sticks out will be hammered down’. Clad in tattoos and piercings, non-conformist Tsutomo (Hibari’s vocalist) refuses to be hammered down and is the epitome of everything the country’s officials fear from its ever growing, rebellious alternative youth.

Couple all this with vibrant fashion styles influenced from the country’s Harajuku, visual kei and Shibuya scenes, a purikura studio from Cosplay Portrait where users can make fun and exciting prints in the style of Japan’s exciting photobooths, merchandise on sale including music CDs, DVDs, video games and an exclusive store at the London show courtesy of sponsors Manga Entertainment, plus karaoke supplied by On Board, tipped as London’s most authentic Japanese karaoke experience with over 60,000 songs available in English, Japanese, Korean, Chinese and more!

Get ready to party, Japanese style!
Visit http://japanunderground.wordpress.com/ for further details.


Wednesday, 22 December 2010

SOOM COMPANY: Goose's Dream

Date: Friday 7th JAN 2011, 8.00pm
Venue: THE PLACE, Robin Howard Dance Theatre, 17 Duke's Road, London,WC1H 9PY
Tickets & Information: 020 7121 1100
Web: http://www.theplace.org.uk/


 
SOOM (Korean for ‘breath’) is a newly formed company consisting of six dancers, all aged over fifty. Its founder, Yunkyung Song, is a professional dancer (Jasmin Vardimon company), choreographer and therapeutic teacher. Her work integrates the arts with the therapeutic process, much of it inspired by the physicality of older people.

SOOM explores the dreams and unfinished business of its members. Their stories and life experiences provide the starting point, then as the tales of loss, longing and hope fuse with mythology and folklore, they become universal. Using visual metaphor, SOOM’s work uncovers our differing perceptions and the fragility of dreams, expressing Song’s awareness that ‘life is not always the fairytale that we dreamed it would be’.

SOOM’s performers use dance and physical theatre to tell stories with an exciting difference.

Book your tickets now (ticket office 020 7121 1100) for what promises to be an unforgettable, enjoyable and inspiring experience!


Monday, 20 December 2010

Crying Fist: 61st Korean Film Night

Date & Time: THURS 23rd December 2010,7:00pm
Venue: The Korean Cultural Centre, Grand Buildings, 1-3 Strand, London WC2N 5BW
Title: Crying Fist (2005)
Director: Ryoo Seung-wan
Genre: Drama
Certification: 12
Running Time: 134mins
Fee: Admission Free, Booking required
Contact: info@kccuk.org.uk / 0207 004 2600


Synopsis
Years ago he was a Olympic Bronze Box Champion now, Tae-shik, finds himself unemployed, hounded by creditors and loan sharks, and out on the street after his wife kicks him out.
At the same time a young Sang-hwan is a troublemaker who ends up behind bars.
Both turn to boxing to put themselves on the straight and narrow with their eyes on the prize of an amateur title.
Sadly only one can win and they both have everything to prove by winning.

This film contains scenes of a violent nature.


Thursday, 16 December 2010

Future Beauty: 30 Years of Japanese Fashion

Date: current - 6 February 2011
Time: Open daily 11am-8pm (Tue and Wed until 6pm), Thu until 10pm
Venue: Barbican Centre, Silk Street, London EC2Y 8DS


Future Beauty: 30 Years of Japanese Fashion is the first exhibition in Europe to comprehensively survey avant-garde Japanese fashion, from the early 1980s to the present. Curated by the eminent Japanese fashion historian Akiko Fukai, Director of the Kyoto Costume Institute, the exhibition explores the unique sensibility of Japanese design, and its sense of beauty embodied in clothing.
Japanese fashion made an enormous impact on the world fashion scene in the late 20th century and designers such as Issey Miyake, Rei Kawakubo and Yohji Yamamoto redefined the very basis of fashion. Their works will be shown alongside Kawakubo’s protégé, the techno-couturier Junya Watanabe, together with the acclaimed Jun Takahashi, and the new generation of radical designers including Tao Kurihara, Fumito Ganryu, Matohu, Akira Naka, Mina Perhonen and Mintdesigns.



Monday, 13 December 2010

FROM THE DIRECTOR OF ‘THE GRUDGE’ COMES J-HORROR’S FIRST EVER LIVE-ACTION 3D SHOCKER

Japanese master of horror Takashi Shimizu, the writer-director and overall creative force behind the nerve-shredding and hugely successful ‘Ju-on/The Grudge’ franchise, takes J-Horror into a brand new era with the spooky and mysterious Shock Labyrinth 3D, which comes to DVD in January 2011 and features both the 2D and 3D versions of Shimizu’s latest spine chiller complete with two pairs of 3D glasses.

Directed by Shimizu and based on the world’s largest walk-through ‘haunted house’, The Haunted Hospital attraction situated at the world famous Fuji-Q Highland theme park, Shock Labyrinth 3D is the first Japanese film shot in HD Digital 3D (and J-Horror’s first ever live action 3D movie) and stars some of Japanese cinema’s hottest acting talents, including Ai Maeda (Death Note: The Last Name), Suzuki Matsuo (Robo-Geisha) and Shoichiro Masumoto (Goemon; Ichi; Tokyo Gore Police).

When a small group of young friends spending the day at a theme park near the foot of Mount Fuji sneak into the park’s haunted house attraction after hours, the innocent children’s escapade results in the mysterious disappearance of one of them, Yuki.

On a rainy evening ten years later, Yuki inexplicably reappears, turning up at the apartment of one of the girls who was present when she disappeared. Yuki is soon reunited with her friends but shortly afterwards collapses and the group rushes her to a nearby hospital where they are unable to find anyone to treat their friend. With little option but to wait in the hospital, they begin to look for help but soon find things are not as they seem. As the night wears on, the friends begin to relive the events from a decade ago and soon come face to face with the terrible truth behind Yuki’s disappearance.

With the highly entertaining Shock Labyrinth 3D, Shimizu expertly combines a series of striking 3D visuals with his trademark filmmaking style to create a foreboding atmosphere and sense of unease that permeates the film until its final, alarming revelation.

Shock Labyrinth 3D (cert. tbc) will be released on DVD (£14.99) by Chelsea Films on 31st January 2011.




Saturday, 11 December 2010

20 new works celebrate the talent and imagination of UK’s musical community as part of the London 2012 Cultural Olympiad

PRS for Music Foundation has announced twenty outstanding pieces of new music which will feature centre stage of the London 2012 Cultural Olympiad as London hosts the Olympic and Paralympic Games. The twenty works commissioned for New Music 20x12 each last 12 minutes and offer a snapshot of the quality and diversity of new music in the UK. Each piece will be broadcast by BBC Radio 3 and tour the UK – ensuring as many people as possible have the opportunity to enjoy excellent new music as part of the 2012 celebrations.

The works selected for New Music 20x12 cover a wide range of genres, reflecting the diversity and richness of musical life in the UK - from contemporary classical, folk and opera in Scotland and Northern Ireland to bell ringing, beatboxing, jazz and music for brass band in England and Wales.

Inspired by the dynamism of Olympic and Paralympic sports, the passion of human endeavour so central to the Games, and the once in a lifetime opportunity of creating a musical work which contributes to a global celebration, these commissions are full of the energy, hope and excitement that will emanate from across the Cultural Olympiad and the Games themselves.

The New Music 20x12 commissions were chosen by a judging panel consisting of composer Judith Weir, journalist Kevin Le Gendre, composer and performer Errollyn Wallen MBE, producer Joana Seguro and DJ and musician Rita Ray. The panel was chaired by Roger Wright, Controller of BBC Radio 3 and Director of the BBC Proms, who said:
“The panel was impressed by the quality and range of the UK wide applications and reluctantly rejected a number of distinctive project proposals. However, 20x12 means just that and only 20 ideas could be approved for funding. Those selected were considered to be outstanding and represented a range of compositional output by their wide variety of genres and styles. These pieces will form a vibrant and exciting celebration of British composition in 2012 and help to reflect the Olympic and Paralympic values through their creative excellence and inspirational ideas.”

Vanessa Reed, Executive Director of the PRS for Music Foundation, said: “We are delighted that so many talented music creators and organisations were inspired to apply to New Music 20x12, a fantastic initiative that will see the UK’s music community leaving its legacy as part of the London 2012 Cultural Olympiad. The chosen 20 collaborations offer a snapshot of the UK’s fantastically rich and varied new music scene and we are proud to support their contribution to this unique, international celebration.”

Alan Davey, Chief Executive of Arts Council England, said: “The exciting range of these compositions sums up why the UK is a world leader in culture. Not only does London 2012 offer an unprecedented moment to showcase our talent on the world stage, it will also demonstrate the power of collaboration. New partnerships are forming across the UK to deliver programmes such as this, encouraging innovation and engagement, which will leave a lasting legacy long beyond 2012. Congratulations to each of the chosen 20 – I can’t wait to hear what they come up with.”

New Music 20x12 was initiated by Jillian Barker and David Cohen and is delivered by PRS for Music Foundation in partnership with the BBC, LOCOG (the London Organising Committee of the Olympic and Paralympic Games) and Sound and Music.

New Music 20x12 is generously supported by committed patrons and funders from across the UK including the Arts Councils of England, Wales and Northern Ireland and Creative Scotland.

The composers and commissioning organisations chosen for New Music 20x12 are:
Sally Beamish and Orchestra of the Age of Enlightenment: ‘Spinal Chords’
The Orchestra for the Age of Enlightenment is working with Sally Beamish to create ‘Spinal Chords’, a piece of music set to a text written by Melanie Reid, a columnist for The Times who broke her neck and back following a horse-riding accident earlier this year. The piece will reflect the positive spirit of Melanie and the many other people, including Paralympians, who display such a life-affirming attitude in the face of adversity.

David Bruce and The Opera Group: ‘Fire’The Opera Group and Salisbury International Arts Festival have commissioned David Bruce to create ‘Fire’, an outdoor spectacle of visual and musical fireworks. The celebratory piece is for virtuoso female voice, a fire artist, a trio of horns and a community chorus recruited in each of the three Festivals to which it tours – Salisbury, Brighton and Spitalfields (London).

Aaron Cassidy and EXAUDIEXAUDI, one of Britain’s leading contemporary music ensembles, will be working with Aaron Cassidy to generate new sounds for the human voice by exploring experimental approaches to vocal production. The Olympic idea of pushing the body to physical (and mental, and spiritual) extremes lies at the heart of Cassidy's conception for the new work.

Richard Causton and European Union Youth Orchestra: ‘Twenty-Seven Heavens’
‘Twenty-Seven Heavens’ is a work by Richard Causton that has been commissioned by the European Union Youth Orchestra, which will explore Blake’s Jerusalem where the poet parallels aspects of his mythological world with various districts of London, including areas such as Hackney, Bow and Stratford. The twenty-seven heavens are layers of obscurity that the individual must penetrate to see the vision of Eternity - an idea which has resonance for both the artist and the athlete.

Joe Cutler and Coull String Quartet: ‘Ping!’‘Ping!’ will explore the strong and distinct sounds and rhythms that table tennis players can create. It is a collaboration between composer Joe Cutler, the Coull String Quartet and various table tennis clubs. The piece will create intricate cross-rhythms between table tennis players, a string quartet and a soundtrack.

Graham Fitkin and London Chamber Orchestra Trust: ‘Track to Track’The London Chamber Orchestra is working with composer Graham Fitkin to produce 'Track to Track'. The piece inspired by works like Benjamin Britten and WH Auden's ‘Nightmail’ will celebrate the journey of the Olympic Javelin Train taking passengers from Kings Cross to Stratford and back during the Olympics. The work will be set to a text by poet Glyn Maxwell and composed for ensemble and string orchestra.

Luke Carver Goss and Black Dyke Band: ‘Pure Gold: a 4x3 Relay Race’Composer Luke Carver Goss has been commissioned by the award-winning Black Dyke Band to write ‘Pure Gold: a 4x3 Relay Race’, which will use the structure of a relay race. The piece will be divided into four three minute 'legs': power, speed, losing ground and finally, triumph, to tell the tale of success through team work and sporting pride. Goss will be working with poet Ian McMillan, Yorkshire Youth Brass Band and the Halifax Choral Society.

Gavin Higgins and Rambert Dance Company: ‘What Wild Ecstasy’In 2012, Rambert Dance Company will stage a new ballet to mark the centenary of a piece by Nijinsky, scored by Debussy. Gavin Higgins’, Rambert’s first Music Fellow, has been commissioned to create a new score for ‘What Wild Ectasy’, which will take Debussy’s harmonic palette as a starting point and create a partner to the re-scored original which will provide the musical underpinning of the work.

Emily Howard and Second Movement: ‘Zatopek!’Zatopek! (working title) is a 12 minute chamber opera by Emily Howard and Second Movement for baritone, mezzo, adult and youth chorus and mixed ensemble, inspired by legendary Czech Olympian, long distance runner, statesman, communist and dissenter Emil Zatopek (1922-2000). In 1954 Zatopek set a new world record for the 5000m running the distance in 13:57 minutes. Emily Howard and Second Movement will have just a little less time to celebrate his life and times from the starting pistol of his international breakthrough at the London 1948 Olympics to the final finish line.

Julian Joseph and Hackney Music Development Trust: ‘The Brown Bomber’Julian Joseph and Hackney Music Development Trust have won funding for jazz proposal, ‘The Brown Bomber’, based on the famous boxing battle between American Joe Louis and German Max Schmeling in 1938. The piece will bring to life the relationship between the two athletes, who were adversaries in sport, but became great friends despite the ideological opposition that surrounded them.

Liz Liew and Andy Leung and Chinatown Arts Space: ‘XXXY’Chinatown Arts Space has commissioned Liz Liew and Andy Leung, who want to celebrate the contemporary British Chinese multicultural heritage that has shaped them as international composers. The piece ‘XXXY’ is inspired by the competition of life, and will reflect contrasting themes, such as traditional instruments versus experimental electronica.

Anna Meredith and National Youth Orchestra: ‘HandsFree’The National Youth Orchestra is working with composer Anna Meredith to inspire young people nationwide to share their musicianship and creative inventiveness without their instruments - through beatboxing and clapping – in a project called ‘HandsFree’.

Conor Mitchell and NI Opera: ‘Our Day’‘Our Day’ is a new opera set against a backdrop of events in Northern Ireland in 1972, which was one of the bloodiest of the troubles. It was also the year that local girl Mary Peters won a gold medal at the Munich Olympics, an event that briefly unified a country at war with itself. In 2012 it will be 40 years since that win, and composer Conor Mitchell and NI Opera are working on a piece to remember that sense of national pride Northern Ireland had in 1972.

Sheema Mukherjee and The Imagined Village: ‘Bending The Dark’Composer Sheema Mukherjee’s piece ‘Bending The Dark’ will be written from the point of view of a second generation immigrant tracing the path of the Indian diaspora across continents. The new piece will be performed by The Imagined Village, a band that unites some of England's finest traditional musicians alongside leading figures on the UK Asian and alternative electronica music scene.

Aidan O’Rourke and An Tobar, The Tobermory Arts Centre: ‘TAT-1’Fiddler and composer Aidan O’Rourke is working with An Tobar, The Tobermory Arts Centre to create ‘TAT-1’, inspired by the first transatlantic telephone cable which ran from Aidan’s hometown, Oban on the west coast of Scotland to Newfoundland. As the Olympics brings the world closer together, the cable had the same purpose and for many years carried the “Hotline” between Washington and Moscow.

Oliver Searle and Drake Music Scotland: ‘Technophonia’‘Technophonia’ will be written for a new kind of ensemble that brings together cutting edge music interfaces used by Drake Music Scotland, the nation’s leading arts organisation providing music making opportunities for people with disabilities. Oliver Searle's music will inspire the young musicians to combine their individual talents to achieve a unique team performance, which will challenge how the audience defines musical instruments and performing musicians.

Howard Skempton and Central Council of Church Bell Ringers: ‘Wild Bells to a Wild Sky’Howard Skempton will create a new work for eight church bells to mark the Olympic year with the Central Council of Church Bell Ringers in partnership with music production company Third Ear, called ‘Wild Bells to a Wild Sky’. Skempton believes that bells proclaim moments of public gathering, of celebration and of important news, providing an ideal medium for New Music 20x12.

Mark-Anthony Turnage and Irene Taylor Trust: ‘Beyond This’Composer Mark-Anthony Turnage is partnering with the Irene Taylor Trust ‘Music in Prisons’ and some new composers, comprising a group of prisoners from HMP Lowdham Grange. Music in Prisons believes in music as a powerful vehicle for change and in enabling prisoners to contribute positively to New Music 20x12, the charity will not only be raising their aspirations, but encouraging a sense of society in them too.

Michael Wolters and Stan’s Cafe: ‘The Voyage’‘The Voyage’ is a collaboration between the composer Michael Wolters and theatre company Stan’s Cafe. The piece is focused on a mythological hero who leaves home, travels overseas to face trials and returns a hero.

Jason Yarde and Wonderbrass: ‘Skip, Dash. Flow’Composer, producer and saxophonist Jason Yarde and community band Wonderbrass, which celebrates its 20th anniversary in 2012, are working on ‘Skip, Dash. Flow’ that will explore new world rhythms.

The New Music 20x12 judging panel are:
Roger Wright took up the post of Controller, BBC Radio 3 in November 1998 and, in October 2007, also became Director of the BBC Proms. The BBC Proms is one of the world's greatest music festivals. Roger also co-ordinates the BBC's classical music output across all BBC platforms.

Judith Weir's interests in narrative, folklore and theatre have found expression in a wide range of musical invention. She is the composer and librettist of a series of operas (King Harald’s Saga, The Black Spider, A Night at the Chinese Opera, The Vanishing Bridegroom and Blond Eckbert) which have been frequently performed over the last thirty years. Folk music from the British Isles and beyond has influenced an extensive series of string and piano compositions. She has regularly worked, in England and India, with storyteller Vayu Naidu; and on collaborations with film director Margaret Williams. She spent some time as resident composer with the City of Birmingham Symphony Orchestra, and has also written music for the Boston Symphony, BBC Symphony and Minnesota Orchestras.

Kevin Le Gendre is a journalist and broadcaster with a special interest in black music. Deputy editor of Echoes, he contributes to a wide range of publications that include Jazzwise, MusicWeek, Vibrations and The Independent On Sunday and also appears as a commentator and critic on radio programmes such as BBC Radio 3's Jazz On 3 and BBC Radio 4's Front Row.

Errollyn Wallen MBE has been described as the “renaissance woman of contemporary British music” (The Observer). She is respected as a singer-songwriter of pop influenced songs, as well as a composer of contemporary new music. She has been commissioned by outstanding music institutions from the BBC to the Royal Opera House and her work is performed internationally and in outer space – on the NASA mission Atlantis ST-115. Errollyn was awarded an MBE for her services to music in the Queen’s Birthday Honours list in June 2007.

Joana Seguro is an independent producer working in electronic music and new technology, with a growing interest in linking these across other forms and disciplines. In 2001, she set up her own company Lumin, of which she is owner and Director, and throughout has pursued partnerships with some of the major music institutions active in contemporary and electronic music.

Rita Ray is a DJ, musician and African music expert.


Tuesday, 7 December 2010

MUSHROOM CLOUDS AND MUSHROOM MEN -- THE FANTASTIC CINEMA OF ISHIRO HONDA by Peter H. Brothers

For the first time in America, a book has been published on Japan's foremost director of Fantasy Films: “MUSHROOM CLOUDS AND MUSHROOM MEN – The Fantastic Cinema of Ishiro Honda” (AuthorHouse, ISBN: 978-1-4490-2771-1).

Known primarily for directing such classic Japanese monster movies as Rodan, Mothra, Attack of the Mushroom People and the original Godzilla, Honda has been a much-overlooked figure in mainstream international cinema.

MUSHROOM CLOUDS AND MUSHROOM MEN is the first book to cover in English print Honda’s life as well comprehensively evaluates all 25 of his fantasy films. It is also gives objective and critical analysis of Honda's filmmaking methods, themes and relationships with actors and technicians.

Making use of extensive interviews from Honda’s colleagues, as well as a wealth of original source material never before gathered into one volume (including previously-unpublished essays), MUSHROOM CLOUDS AND MUSHROOM MEN is an affectionate tribute to the most-prolific and influential director in the history of fantasy films.

Monday, 6 December 2010

The Directorspective: Akira Kurosawa (Part of Aspects of Japanese Cinema)

Date: 3 - 19 December 2010
Venue: Barbican Cinema, Silk Street, London EC2Y 8DS
Tel: 020 7638 8891
E-mail: film@barbican.org.uk
Web: www.barbican.org.uk/film
Organiser: Barbican Cinema
Film tickets: £8.50 online / £10.50 full price; Members £6.50 online / £8.50 full price; Concessions £7.50; Under 15 £5.50 subject to availability

Curated by Japanese film expert Helen McCarthy, the season demonstrates this master film maker’s thrilling artistry and marks the centenary of Kurosawa’s birth on 23 March 1910.

Fri 3 Dec 6pm
Introduced by Helen McCarthy.
Throne Of Blood (Kumonosu jo) 12A
Kurosawa's unforgettable transposition of Macbeth to the ghostly forests and grim castles of medieval Japan in the Age of Warring States..
Japan 1957 Dir. Akira Kurosawa 109 min.

8.45pm
Rashomon 12A
Set in feudal Japan, Kurosawa's master work is a compelling exploration of the nature of truth, as various witnesses present their diverse accounts of a rape and murder in 12th century Kyoto. Presented on a newly restored digital print.
Japan 1950 Dir. Akira Kurosawa 87 min.

Wed 8 Dec , 6pm
Drunken Angel (Yoidore tenshi) PG
A feast of striking imagery this intense and powerful thriller initiated Kurosawa’s rewarding collaboration with actor Toshiro Mifune. Mifune's flashy gangster outfits and the Western dress of the other characters form a stark contrast to Kurosawa's historical dramas.
Japan 1948 Dir. Akira Kurosawa 98 min.

8.30pm
The Hidden Fortress (Kakushi-toride no san-akunin) PG
A light-hearted romp in war-torn feudal Japan. Kurosawa’s first experiment with the Tohoscope widescreen format which was an inspiration for George Lucas’s Star Wars.
Japan 1958 Dir. Akira Kurosawa 139 min

Thu 9 Dec , 7pm
Kagemusha (The Shadow Warrior) PG
In sixteenth century Japan, a convicted robber with a striking resemblance to a mortally wounded warlord is spared execution in order to impersonate the ruler after his death. This vividly colourful epic uses 5000 extras for the final battle sequence.
Japan 1980 Dir. Akira Kurosawa 181 min.

Sun 19 Dec , 2.30pm
Seven Samurai (Shichinin no samurai) PG
In 16th century feudal Japan seven samurai warriors defend a village from a marauding band of ruthless outlaws. Kurosawa's epic achievement is a cornerstone of world cinema, which again brought Japanese cinema to amazed audiences in the West.


Thursday, 2 December 2010

Year-End Thank You Concert with Pianist Sunwook Kim

Date: Friday 10 December 2010
Time: 7:00-8:00pm (Concert), 8:00-9:30pm (Reception)
Venue: The Korean Cultural Centre UK, Ground Floor, Grand Buildings, 1-3 Strand, London WC2N 5BW
RSVP: Closed now due to the popularity

Beethoven Sonata in E major, op.109 / Sonata in c sharp minor, op.27-2
Schubert 4 imprompts D 899

21-year-old Sunwook Kim came to international recognition when he won the prestigious Leeds International Piano Competition in 2006. The competition’s youngest winner for 40 years, as well as its first Asian winner, his performance for the finals of Brahms’s Concerto No.1 with Mark Elder attracted unanimous praise from the press, and led to concerto engagements with some of the UK’s finest orchestras as well as recitals throughout Europe.
Over the past season he has appeared as concerto soloist in the subscription series of the London Philharmonic (Vassily Sinaisky), Hallé Orchestra (Mark Elder), BBC National Orchestra of Wales (Tadaaki Otaka), Royal Scottish National Orchestra, Lausanne Chamber Orchestra, Aspen Festival Orchestra, as well as on tour in Korea with the Rundfunk Sinfonieorchester Berlin (Janowski), Orchestre Philharmonique de Radio France (Myung-Whun Chung), Budapest Festival Orchestra (Ivan Fischer) and the BBC Philharmonic (Gianandrea Noseda).

Recent recital appearances include a highly successful Brussels debut at the Klara Festival, the Beethovenfest Bonn, Klavier-Festival Ruhr and Mecklenburg-Vorpommern Festspiele in Germany, the Aspen Music Festival in the USA, New York’s International Keyboard Institute, the Duszniki Zdrój International Chopin Festival in Poland as well as the Tongyeong International Music Festival and Kumho Rising Stars Series in Korea.

Future concerto engagements include the Philharmonia Orchestra (Ashkenazy), Hallé Orchestra (Elder), Orchestre Philharmonique de Radio France (M-W Chung), BBC Philharmonic (Noseda), Bournemouth Symphony (Karabits), Tokyo Philharmonic (W-H Chung), Seoul Philharmonic (Mikko Franck) and the KBS Symphony (Hubert Soudant). Highlights among recital appearances include debuts at the Wigmore Hall, London, and the Vancouver Chopin Society.

Thursday, 25 November 2010

Kotaro Fukuma Piano Recital at the Wigmore Hall

Date: 11 January 2011, 7:30pm
Venue: Wigmore Hall, 36 Wigmore Street, London W1U 2BP Tel: 02079352141
Admission: £20, £17, £14, £10
Web:
http://www.wigmore-hall.org.uk/
Organiser: Lisa Peacock Management Ltd.

Japanese Pianist Kotaro Fukuma won 1st Prize and the Chopin Prize at the 2003 Cleveland International Piano competition at the age of 20, and was a major prizewinner in Santander, Helsinki and Salt Lake City.

He has performed extensively in the USA and toured 9 countries in Europe, Asia and South Africa. All his commercial recordings (Schumann, Takemitsu, Albéniz, Recital Live, Liszt) have received critical praise.

Kotaro Fukuma is making a return visit to Wigmore Hall following his highly successful debut in June 2008.

Programme :
Robert Schumann (1810-1856) / Novelletten Op.21 No.1,2 and 8
Frederic Chopin (1810-1849) / Nocturne No.13 in C Minor Op.48-1,
Ballade No.4 in F Minor Op.52
Franz Liszt (1811-1886) / Two Concert Etudes (1.Waldesrauschen, 2.Gnomenreigen), Etude de Perfectionnement (Ab Irato), Grandes Etudes de Paganini (including La Campanella)

Wednesday, 24 November 2010

Lotte Anker / Ikue Mori / Steve Noble at Cafe Oto

Date: SUNDAY 28 November 2010, 8.00pm
Venue: Cafe OTO, 18-22 Ashwin street, Dalston, London E8 3DL
Contact: info@cafeoto.co.uk
Tickets: £8 adv./£10 on the door


Saxophone, electronics and percussion duos and trios featuring three radical musicians from Copenhagen, New York and London. Channeling their experiences of no wave noise, free improvisation, ecstatic jazz, avant-garde composition and experimental electronics, Lotte Anker, Ikue Mori and Steve Noble come together for a unique evening of improvised explorations into unknown musical territory.

LOTTE ANKERLotte Anker is one of the most individual voices on the saxophone today, combining the power of Coltrane and Brötzmann with her own unique sense of space and balance. Drawing on the texts of Paul Auster, Jorge Luis Borges and others, she has also emerged as a crucial contemporary composer.

IKUE MORIIkue Mori has been a pioneering musical presence since she started playing drums with DNA in 1977. Switching from drums to drum machines to laptop, she is an essential figure in New York's experimental scene, collaborating with John Zorn, Sonic Youth, Evan Parker, and Christian Marclay.

STEVE NOBLESteve Noble is London's leading drummer, a fearless and constantly inventive improviser whose super-precise, ultra-propulsive and hyper-detailed playing has galvanized encounters with Derek Bailey, Matthew Shipp, Ishmael Wadada Leo Smith, Stephen O'Malley, Joe McPhee, Alex Ward, Rhodri Davies and many, many more.

Saturday, 13 November 2010

Four legends of the Japanese Avant-Garde: Otomo Yoshihide, Sachiko M, Reiko & Tori Kudo

Date: 6, 7 & 8 December, 2010
Venue: Cafe OTO, 18-22 Ashwin Street, Dalston London E8 3DL
Tel: 020 7923 1231
Email:
info@cafeoto.co.uk

Web: http://www.cafeoto.co.uk
Organiser: Cafe OTO

Maher Shalal Hash Baz kick off a three day stint at OTO featuring its enigmatic leader and cult figure in the Japanese underground Tori Kudo, his partner Reiko Kudo and musical mavericks Otomo Yoshihide and Sachiko M. The second evening will see all four play either solo or collaborate in different configurations. The final day will be led by Otomo Yoshihide & Sachiko M with special guests from the UK and beyond. A towering figure in the

Japanese underground music scene, Otomo's projects - frequently incorporating Sachiko M's banks of sine waves - embrace noise, minimal improvisation, free jazz and experimental rock.

MAHER SHALAL HASH BAZ
Maher Shalal Hash Baz is the artistic alter ego of Tori Kudo, a Japanese naivist composer and musician. The name is taken from Maher-shalal-hash-baz in the Book of Isaiah verses 8:1 and 8:3, and translates roughly as "Hurrying to the spoil, he has made haste to the plunder" or "Be quick if you steal something".

Tori Kudo has been cagey about details of his life before MSHB. He was once a member of a shadowy, revolutionary political party in Japan. However he gave up on politics since becoming a Jehovah's Witness. He also works as a ceramicist in his hometown in the remote Japanese island of Shikoku.

In his childhood he played classical and jazz piano - learning from the local jazz-kissa owner - as well as playing organ in a Protestant church. His other musical influences included T.Rex and saxophonist Steve Lacy. He and his wife Reiko Kudo joined a band called Worst Noise when they moved to Tokyo; other members dropped out, leaving Tori and Reiko as a duo, known simply as Noise. Under this name they released an album called 'Tenno' (trans. 'Emperor').

The impetus for Maher Shalal Hash Baz came when Tori met euphonium player Hiroo Nakazaki on a building site, and found that they shared an interest in the music of Mayo Thompson and Syd Barrett. Apart from the core trio (Tori on guitar and vocals, Reiko as vocalist, Hiroo with his euphonium), the lineup has always been fluid frequently featuring untrained musicians who sometimes seem only to have the barest grasp of their instrument.

After a couple of self-released cassette albums, the Japanese Org label released Maher Goes To Gothic Country (1991) and the 83-track box set Return Visit to Rock Mass (1996).

The group's profile outside Japan became much higher when Stephen McRobbie of The Pastels signed them to his Geographic label. They have released two albums on Geographic: the compilation From a Summer to Another Summer (An Egypt to Another Egypt) (2000) and the 41-track Blues Du Jour (2003); plus a number of EPs on various labels, including 'Souvenir De Mauve' (Majikick, 1999), 'Maher On Water' (Geographic, 2002), 'Faux Depart' (Yik Yak, 2003) and Live Aoiheya January 2003 (Chapter Music, 2005). Their most recent releases are 'L'autre Cap' (K Records, 2008) and the 171 track collection of musical miniatures 'C'est La Derniere Chanson' (K Records, 2009).

Tori Kudo has resisted defining the sound of his band, although in an interview with Tim Footman in Careless Talk Costs Lives magazine (August 2002) he declared "I am punk." There are also elements of folk, psychedelia and free jazz; the band's tendency to ask members of the audience to join in adds a sense of danger in live performance. Perhaps the best description comes from his own sleevenotes to From a Summer to Another Summer: "Error in performance dominates MSHB cassette which is like our imperfect life."




Wednesday, 10 November 2010

Laboratory Dance Project + Post-show Q&A

Date: 23 November 2010 (8.00 pm)
Venue: The Place, 17 Duke's Road, London WC1H 9PY
Tickets: £6-£17
Box Office: 020 7121 1100
Web: http://www.theplace.org.uk/
Nearest tube: Euston


The award-winning Seoul company Laboratory Dance Project, founded by artistic director Shin Chang-Ho, makes its London debut at The Place with a triple bill of incredible, physically charged, acrobatic dance work, which combines contemporary choreography, hip hop and martial arts.

Three distinct works define the extraordinary talent of these artists and performers.
Lee In Soo's Modern Feeling is an accomplished piece detailing the meetings, conflicts and compromises of two men. The work won the Grand Prix award at the Seoul International Choreographer Festival in 2008.

Jeon Mi Sook's Promise is a thoughtful examination of suspicion, prejudice, forgiveness and the freedom to be different, set to Steve Reich's classic Music for 18 Musicians.
In No Comment, the company's signature piece, a testosterone fuelled group of seven suited male dancers stalk and prowl the stage in an astonishing piece of high energy work. If you like Hofesh Shecher we think you will love this.



The East News